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On the first day of the year.”
“Lord forbid! Why should they, either? Hayley’s apologized!”
"You might, but it'll be rather a rush, and you'll get no sleep."
"Oh, George, how did you know?"
"He ran the officer through as cool as if he was at practice; he put two others down, and we were making grand play, when there was a flash, and down he went, shot like a dog!
"What the heck, it can't be," Bill asserted.
2.The later ??nineties were the ??Sex Problem?? period in Great Britain. Not that sex has been anything else than a perplexity in all ages, but it was just about this time that that unanswerable ??Why not?????that bacterium of social decay, spreading out from the dark corners of unventilated religious dogmas into a moribund system of morals, reached, in the case of the children of the serious middle-classes of Great Britain, this important field of conduct. The manner of the question and the answer remained still serious. Those were the days of ??The Woman Who Did?? and the ??Keynote Series,?? of adultery without fun and fornication for conscience?? sake. Arthur, with ample leisure, a high-grade bicycle, the consciousness of the artistic temperament and a gnawing secret realization, which had never left him since those early days in Florence, that Dolly did not really consider him as an important person in the world??s affairs, was all too receptive of the new suggestions. After some discursive liberal conversations with various people he found the complication he sought in the youngest of three plain but passionate sisters, who lived a decorative life in a pretty little modern cottage on the edge of a wood beyond Limpsfield. The new gale of emancipation sent a fire through her veins. Her soul within her was like a flame. She wrote poetry with a peculiar wistful charm, and her decorative methods were so similar to Arthur??s that it seemed natural to conclude they might be the precursors of an entirely new school. They put a new interest and life into each other??s work. It became a sort of collaboration....>
Hartford tried unobtrusively to squirm his chair out of the jet-stream from Nef's cigar. "He told me he wanted to work on the language, sir," he said. "Pia really had such a project. He'd never had contact with anyone with a speech other than Standard before, and the problem of transducing one language into another fascinated him. The Kansans call their speech Nihon-go. Pia taught me to understand some of it."
A fortnight went by, and at sunset one evening Trixie Coventry came out of the bungalow to stroll with lagging feet about the garden. She looked white and weary, yet relief was in her eyes for suspense was over, George was gaining strength. His illness had been sharp, a vicious form of fever contracted in the jungle and encouraged by the journey, as well as by all that had followed on the night of his return. For days and nights after his collapse in the veranda he had either raved and tossed, or lain exhausted and inert scarcely conscious of existence. Fortunately a good nurse had been available, and, as is usual in India, people had been immeasurably kind and helpful. Yet the strain had been severe for Trixie, the watching, the anxiety, the long hot nights, the dread until the doctor could, with truth, assure her that her husband would not die; and underneath it all lay
But the main point of difference lies in the fact, that the system is presented by de l’Obel and Bauhin without any statement of the principles on which it rests; in their account of it the association of ideas is left to perfect itself in the mind of the reader, as it grew up before in the authors themselves. De l’Obel and Bauhin are like artists, who convey their own impressions to others not by words and descriptions, but by pictorial representations; Cesalpino, on the other hand, addresses himself at once to the understanding of his reader and shows him on philosophic grounds that there must be a classification, and states the principles of this classifi